Beginner: Arm Harnesses, Arms Forward Ties
We will focus on how to tie the arms in front of the body, to depen connection, to restrict and to create different visual and sensational changers for the rope bottom. There are innumerable ties which can be touched on here, and we intend to demonstrate, examine and practise some simple arms forward ties to provide food for thought so that you can expand on this. Safety considerations regarding the nerves and muscles in the arms and where it is safe to apply pressure will be considered, as well as variations to add different dynamics and flow in the scene.
Intermediate: Strappado & Sadistic Arm Ties
Strappado and arm binder ties can be extremely effective for immobilisation and very striking to witness, experience and they leave the wearer of the rope exposed and vulnerable. The tension can be varied and adjusted depending on the desired effect, and the manner in which this can be tied, standing or sitting, whether it is applied whilst someone is also in a Futomomo, how to tie them safely regarding take down, body movement and handling and the anatomy of the arms, shoulders, elbows and wrists need to be taken into consideration to tie appropriately for the individual person and body. Communication is very important between the rope model and rigger and regular checks must be performed to avoid injury.
For me, rope is a playful medium, a space where my thoughts quieten, and I can truly listen—not just to my own mind, but to the energy, desires, and intentions shared between myself and the person I’m tying. It’s an extension of my own expression, a way of communicating through the shared tension of the rope, and it evolves into a rich, intimate conversation—one where space, time, and connection converge in a beautiful moment of understanding.
My approach to rope is both emotive and technical, and I believe they are inseparable. The tension of the rope is not just about getting the knot right or creating a perfect shape—it’s about engaging in the present moment, where passion, trust, and connection are at the heart of every tie. This is why I emphasize that the process of tying is inherently responsive. Each tie is a continuation of an ongoing conversation between two people, shaped by where we are in that moment, and the connection we share. Whether it’s with a beginner or an experienced practitioner, each tie reflects the people involved, and that makes it unique and meaningful.
Since I began tying in 2008, my focus has expanded beyond the technicalities to include a deeper exploration of expression. After returning to my local scene in 2020, I immersed myself in teaching, sharing my knowledge and helping others find their own expression in rope. It’s been a rewarding journey, one that has involved not just teaching classes but creating spaces—like the Northampton Shibari Group and Kinky Tease Extreme—where people can connect, learn, and grow together.
When it comes to teaching, I enjoy working with beginners to help them find their confidence and joy in tying. I approach it from a perspective that minimizes clinical instruction and encourages self-expression. For more intermediate students, I focus on breaking down harnesses into their components, so they can better understand the individual parts and adapt them into their own style. I also have a passion for introducing people to suspension in a way that feels grounded, personal, and dynamic—far from the robotic, clinical trends that I’ve sometimes encountered.
Ultimately, my hope is that through Celestial and my teaching, I can help others find the same joy and purpose in rope that I’ve experienced. I believe that tying isn’t just about the act itself; it’s about the people, the connections, and the trust we build through the rope. It’s a beautiful journey, and I’m here to guide anyone who’s ready to explore it with me.
